Behind The Mask

The Next Wave of Comic Book Viewing?

I recently had enjoyed the opportunity to revisit a story-arc from Astonishing X-Men that I had loved reading back in 2004. The arc by Joss Whedon and John Cassadey was entitled Gifted and covered Astonishing X-Men issues 1-6. But instead of picking up those issues like I did back in the old days, I wound up seeing the arc as a motion comic courtesy of Hulu.com. While most comic book fans prefer a newly printed comic that they can hold in their hands, digital comics are also growing in popularity. I dare to ask if the motion comic might be the next big thing beyond digital.

For those who are not familiar with the motion comic, it incorporates the dialogue and art of a comic or comic book story arc along with elements of animation, a musical score, voiceovers and camera angles. Right now, there are only a handful of motion comics out there. The first motion comic was based on an independent comic called Broken Saints. DC Comics put out both Dark Knight and Watchmen motion comics to coincide with the releases of their movies. Along with Astonishing X-Men, Marvel also produced a Spider Woman motion comic and just released Extremis Iron Man (just in time for the release of Iron Man 2).

The reviews for motion comics right now are mixed. Some claim that the motion comic in its current form is just a cheap version of a full feature animated movie. Others claim that the voices, music and overall production value are just not up-to-par.

Another question that many ask is if the money that comic book companies invest in these motion comics will be seen in other ways. For example, will someone who sees a motion comic like Astonishing X-Men Gifted, go out and buy the Gifted trade paperback? Will they start becoming a new, steady reader of the comic? Right now, it’s way too early to know.

I know that my interest was definitely piqued while seeing the Gifted motion comic. It was a new and different way to re-discover a story arc that I had thoroughly enjoyed many years ago. And while I thought Marvel did an admirable job with the voices of the characters and with the musical score, there was definitely something stilted and lacking with the overall product. The addition of animation which should have heightened the viewing experience was at times not very fluid causing character’s expressions to be creepy and their movements jerky and awkward.

Marvel, DC and other comic book companies need to decide whether they want to invest more into the overall animation and production value of these comics and at the same time determine if the motion comic is a viable way of getting their brand and product out to the masses. In the meanwhile, I’m more than happy to read about the continuing adventures of my favorite characters by going to my local comic shop or catching up with them digitally.

- Hamilton Maher

Image courtesy of Screenrant.com

Behind The Mask

Death and Rebirth in Comics

Anyone who reads comics knows that death is never permanent. From Superman, to Jean Grey, to Collosus, we’ve all seen these characters bite the big one only to return triumphantly from the grave a year or two later (or in the case of Bucky, close to sixty years later). The death of a major comic book hero has always equaled big money. But in the grander scheme of things, I dare to ask if death in comics is really death, or is it instead the “spiritual or superhuman component“ of the hero’s overall journey that Joseph Campbell often refers to in the book The Power of Myth.

The death of a hero in comics is for the most part always physical, and usually results from the hero sacrificing him or herself while performing some sort of courageous act in the midst of battle or in trying to save the life of another. In some cases, it involves preserving an ideal (as was the case of Captain America). When these same characters come back to the land of the living, it’s usually due to the fact that they were never truly dead, but were either in cryogenic stasis, their superhuman bodies either shut down or were in a sort of coma-like/ cocoon status, or they actually evolved to a higher state of consciousness, as was the case of Thor at the end of the Ragnarok story-arc by Michael Oeming. In other cases, the hero actually faces Death and either fights his or her way back to the land of the living or makes a deal with the Grim Reaper to return.

In all the instances above, the examples I’ve given are all part of the journey of the “hero” whether we’re talking about comics or other great works of fiction. Generally the rebirth of a hero involves some sort of spiritual reawakening and could also involve a psychological or physical transformation as well.

While we’ve seen numerous accounts of what happens to the hero after his rebirth in works of literature like The Odyssey and The Divine Comedy, the journey of the hero doesn’t quite follow the same path in comics. Usually, there are a few issues devoted to what happened to the hero while “dead” and the changes that have occurred within him or her, but generally these are often swept under the rug or rebooted a couple of months or years later.

Take Jean Grey of the X-Men for example. She’s died and been reborn so many times in comics, that it’s almost become a running gag. After her first “death” in issue #137 of Uncanny X-Men, many readers were shocked that such a major character would be allowed to die. Back in 1983, death in comics was still a relatively rare occurrence. But Marvel editorial wanted to bring Jean back to absolve her of all evil deeds she committed during the famous Dark Phoenix storyline.

After a couple of years of leaving Jean dead, Marvel created a plotline where the Avengers find a strange pod lying on the bottom of Jamaica bay, which they then send to Reed Richards of the Fantastic Four for further investigation. During the investigation, the pod cracks open and Jean emerges, with no memory from her time as Dark Phoenix. After much probing of Jean’s mind, it is discovered that Jean was, in fact, approached by a cosmic psychic entity known as the Phoenix Force. The Phoenix Force copies Jean's physical form and merges with a portion of Jean’s soul/consciousness, while the “real” Jean remains in a coma-like state at the bottom of Jamaica Bay. The Phoenix Force winds up destroying planets and thousands upon thousands of people. Jean is ultimately exonerated of the evil deeds that she committed as Dark Phoenix. She goes on to found X-Factor with her original X-Men teammates. After a couple of issues of adjustment back in the land of the living, Jean is back to her regular superhero ways with little mention of the destruction she caused as Phoenix and later Dark Phoenix.

Perhaps comic book companies feel that readers will ultimately become disinterested with these characters and their higher states of being and awareness. Perhaps they feel that the essence of the character is being lost or perverted.

I, for one think it could add another design to the rich tapestry of these characters and present new trials and tribulations for them. Imagine, a Thor at the end of Ragnarok dying, evolving to a higher state and dealing with cosmic and high-level celestial beings rather than his usual rogues gallery of the Wrecking Crew, the Absorbing Man or the Juggernaut. Why not take a chance and add a new mythological layer to these already established characters?

I know I’d pay money to see that.

Image courtesy of MajorSpoilers.com